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Happy Birthday IDA. 42 years of docs.
Tue, 02/06/2024 - 16:35
"It's about time there was an organization just for us. An organization whose sole purpose is ‘to encourage and to honor the documentary arts and sciences; to promote nonfiction film and video; to support the efforts of nonfiction film and video makers all over the world." Excerpt from the invitation letter sent out by Linda Buzell to the documentary community in 1982. 42 years ago, on February 6, 1982, in Los Angeles, 75 members of the documentary field convened for the first meeting of what would become the International Documentary Association. The meeting stemmed from a grassroots appeal
From Victoria Linares Villegas It Runs in the Family. Courtesy of True/False. Hand holding a black and white photo in focus of three people in front of a large statue and building.
Wed, 03/08/2023 - 14:13
This year’s Getting Real conference was marked by a constant debate around ethical choices in documentary filmmaking. Every aspect of the process was assessed: not only the role of filmmakers but also those of editors , producers, and funders were subjected to critical scrutiny. Even the rights of documentary participants had a space to be debated. But there was a missing link: without deep discussions around actual films that everybody in the room had seen, how could we evaluate documentary ethics from the standpoint of the viewer? In his classic book Le documentaire, un autre cinéma , French
Photograph of a room filled with multiple people seated and clapping in applause. The focus is on Chris Boeckmann, Getting Real '22 Programmer, who is wearing brown pants and a light olive green long-sleeved button-up, sitting in front of a black backdrop.
Thu, 03/02/2023 - 10:35
In 2018, I received the “3 Days in Cannes” pass, which allows passionate lovers of cinema from all nationalities and backgrounds between the ages of 18 and 28 to attend the Festival de Cannes. To get the accreditation, I needed to submit an essay about why I loved cinema, and two weeks before the festival opened, I received an email confirming that I had been selected. But soon, my joy turned to anguish; my pass included neither accommodations nor travel. I was a film festival worker in Mexico, and I used that experience to write about my love for cinema; after all, given the working
Conference room with yellow chairs, camera equipment and two people in the background wearing dark blue tops and gray bottoms. Sign on glass door in foreground with Conference Room schedule.
Wed, 02/22/2023 - 14:52
Last year, after a string of short-term contracts at a screen institute, short film festivals, and a national public broadcaster, I began a concentrated search for stable employment. Over the course of several months, I met with friends and colleagues who recounted their experiences at cultural institutions in Toronto and beyond, searching for job opportunities at organizations that provided at minimum a living wage, a work-life balance, and emotional fulfillment. Instead, I encountered stories about poor management, few opportunities for growth, long hours with low pay, and practices that were questionable at best. Certain organizations offered better benefits, working groups, or prestige, but it soon became evident that every workplace was plagued with the same baseline issues.
Still image from Nanfu Wang’s "Hooligan Sparrow." Ye Haiyan, a fair complexioned adult with black hair, stands at the beach wearing a black dress with blue, green, and white designs. She is holding a sign with simplified Chinese characters.
Wed, 02/15/2023 - 14:18
This keynote talk was delivered at Getting Real '22 and was published as part of Documentary's Winter 2023 issue. To view the video recording, click here . I wanted to share with you some stories of my journey of being a documentary filmmaker—particularly the mistakes, the struggles and the failures. Coming to America Before I even began my career, when I came to the US in 2011, I had no idea what a documentary was or what my future would be. I was 26 years old, and all I knew was that I wanted to become a journalist so I could report on the injustice I had witnessed in China. I went to Ohio
Two people sitting in chairs. Person on left is holding a microphone up to their face, wearing a floral skirt, black sweater, and black shoes. Person on right is holding a microphone down with a big smile, wearing a black and white polka dot skirt with a black sweater and black heels.
Mon, 02/13/2023 - 11:58
This keynote talk was delivered at Getting Real '22 and was published as part of Documentary's Winter 2023 issue. To view the video recording, which includes a brief Q&A between Erika Dilday and IDA's Director of Artist Programs, Abby Sun, click here . Anyone who wants to make change does not have the luxury of being comfortable. Documentary filmmakers know this better than anyone. Filmmakers go to difficult places, ask difficult questions and even put their lives on the line to deliver to audiences the truths that inform us, enlighten us, and hopefully lead us toward real change. But what
two people sitting in chairs on a stage. one person, dark brown skin, black glasses, black hair, dressed in all black, the other is fair skin complexion, with white hair, dress in all black
Wed, 02/08/2023 - 16:17
Editor’s Note: Anand Patwardhan, renowned as one of India’s greatest filmmakers, has amassed a considerable body of work over the course of his 50-year career, interrogating the sociopolitical systems that have convulsed India for decades. Patwardhan is the very model of an independent artist—principled about his funding sources, streamlined in his budgeting, focused on the communities he documents. Rather than a keynote address at Getting Real 2022, the programming team devised a keynote conversation with filmmaker/writer Blair McClendon, who generated a stimulating discourse about
Tue, 10/25/2022 - 14:31
Dear Readers, For me, the biennial Getting Real conference has been such a rich and rewarding well of ideas, issues, and themes to draw from, as I continually rethink our editorial strategy—so that we are truly serving the documentary community with a robust palette of content from around the world. Getting Real has always spurred me to consider where we need to go deeper and further as a publication. With that, five of the articles we commissioned here complement the spirit of Getting Real, from different angles. Mariana Sanson talks to the programmatic masterminds behind the conference—Abby
The Nonfiction Core Application: An image of a woman with brown skin holding a camera outdoors, courtesy of Sundance Institute.
Mon, 09/26/2022 - 00:00
A Letter From Hajnal Molnar-Szakacs, Director of Artist Accelerator Program at Sundance Institute Nonfiction storytellers and their work have been deeply impacted by recent world events, public health crises, and overdue reckonings. The impact on the field has been far-reaching and complex. This has manifested in various ways including the ongoing need to address sustainability, safety, and security, as well as a desire for holistic culture change to make the field more inclusive, accessible, and grounded in values-based ethics-first filmmaking practice. Six years ago, Sundance Institute and
Two medical workers from Yung Chang’s ‘Wuhan Wuhan’ wear masks, bodysuits, and face shields with printed images of themselves on their chests in order to still be recognizable under all their safety wear. Courtesy of Stars Collective Films Entertainment Group Inc.
Wed, 09/21/2022 - 00:00
POV , the longest-running showcase of independent documentaries on PBS, turns 35 this year. Its executive producer since May 2021, Erika Dilday, had her hand at the helm of this 35th season. She came to POV from Futuro Media Group , a multimedia journalistic nonprofit committed to telling overlooked stories, where she was CEO. Before that, she was executive director of Maysles Documentary Center . Here she talks about the current season of POV , what her father taught her about diversity, the logistics of scouting for films, and her upcoming keynote address at IDA’s Getting Real 2022