The New York Film Festival (NYFF), now in its 62nd edition, is one of the biggest film festivals in the United States and, along with TIFF, the most important second-run festival in North America. This year’s edition found itself in the intersection of a number of conflicts surrounding the ongoing Israeli bombing of Gaza. These events serve as a reminder, despite the protestation of some donors, that no one can truly shut politics out of the festival. As it happens, protest was itself the subject of many of films in the festival.
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This piece was first published in Documentary ’s Winter 2024/2025 issue, with the following subheading: What does the makeup of films awarded at IDA’s
This piece was first published in Documentary ’s Winter 2024/2025 issue, with the following subheading: From film festivals to the Oscars, one writer
In the Winter 2024/2025 cover essay of Documentary magazine, No Other Land’s collective of Palestinian and Israeli co-directors imagine a reciprocal, shared future in front of and behind the camera.
At the bottom of page 49 in a 1993 edition of the fabled Argentine film magazine El Amante , there is a sidebar titled “Experimental Cinema,” written
New Yorker staff writer Lawrence Wright remembers colleagues asking, “Why do you live in Texas?” when his location shouldn’t have been exceptional
That NoCut has no physical office, that it is registered in Romania and India (unofficially floating into Belgium), and that its members frequently navigate three different time zones to set up meetings, are all appropriate given its origin story. Rothe, Rinaldi, and Hanes met ten years ago as classmates in DocNomads, the Erasmus Mundus master’s program in documentary filmmaking. Run by a consortium of three universities in Portugal, Hungary, and Belgium, DocNomads is a fully funded course for students from all over the globe, with an emphasis on teamwork and coproduction, which explains why many of its graduates often end up working with each other later. Helping each other with student projects, the three women developed a working rapport even as they fell into a thick friendship.
Few filmmakers have as recognizable a style as Bill Morrison. Those with even a passing familiarity with his work will think of degraded film stock
Jean-Marie Teno is Africa’s preeminent documentary filmmaker. With a critical eye and a sharp wit, he questions the established truth, exposes the
Phantoms of the Sierra Madre Norwegian director Håvard Bustnes made his name with confrontational documentaries in which he explores the motivations