World-renowned Japanese musician Ryuichi Sakamoto’s work was deeply entwined with cinema. He was a prolific composer of movie scores, an occasional
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Known for lensing candid portrayals of people often living on the margins of society, Midi Z, who now lives in Taiwan, is among Myanmar’s few
I had been given such a wide breadth of opinions, suggestions, thoughts on Sundance that it felt a bit like I walked into somebody else’s IG story
Had it not been for a spiraling rift that began with a pro-Palestinian protest on the opening night of last year’s IDFA, Armenian director Shoghakat
Softening the boundaries between fiction and nonfiction, the films of French-Canadian director Antoine Bourges are marked by their hybrid nature and
A publicist for the International Film Festival Rotterdam (IFFR) remarked to me near the end of this year’s festival that after two years of the COVID
Documentarians Stephen Maing (2018’s Crime + Punishment) and Brett Story (2019’s The Hottest August) have wielded different observational filmmaking approaches to explore social and political issues in the United States, from the possibility of police reform to the psychogeography of the carceral state.
Seeking Mavis Beacon follows two fabulously charming e-girl detectives: director Jazmin Renée Jones and associate producer Olivia McKayla Ross, as
A dizzying, fast-paced, 150-minute montage about American jazz, Western imperialism, European colonization, and the assassination of Congolese
Since Pedro and I first started filming unseen in May 2016, I’ve always told him that my main audience for our film is no one else but him. After all, unseen is about his life and his decade-long journey to become a social worker. What makes the pursuit of this goal not so straightforward is the fact that Pedro is blind. If Pedro is truly my main audience, how can I make a film (arguably a primarily visual medium) not only accessible for him but, more so, enjoyable?