'Altman' premieres August 6 on Epix.
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The filmmaker was an IDA Career Achievement Award honoree.
'Rich Hill' opens in New York on August 1 through Opus Docs/The Orchard.
Lauren Lazin began her tenure at MTV in 1992, when she formed the MTV News and Specials Department after having created MTV's longest running documentary series Sex in the '90s. She has directed, produced and executive produced the documentary series MTV Rockumentary, the health series Mega-Dose and the indie film series alt.film@mtv. Currently, she executive-produces MTV Ultra Sound, Cribs, Diary and the Emmy-nominated Uncensored series, as well as True Life, a documentary series that chronicles social issues affecting young people. She also serves as executive producer on all the
The Visions du Réel Festival ( www.visionsdureel.ch), held in Nyon, Switzerland, last spring, is stunningly located beside a lake with snow-topped mountains in the distance. The short walk between the two festival sites is up a lilac-covered lane. And if these were not advantages enough, a break between films offers a sunny câfé terrace where it is easy to make new friends. Festival Director Jean Perret believes that "people need to be awakened. The way they perceive things needs to be turned upside down." And his selection of about 100 films, from some 1,500 submissions, supported his creed
This spring, The New York Times Company and Discovery Communications, Inc. launched a new venture: Discovery Times Channel. It seems a natural match—one that marries the editorial prowess of the Times with the visual abilities and experience of Discovery. "Its principal purpose is to extend the journalistic vision, tone, approach of The New York Times to television," according to Michael Oreskes, assistant managing editor and director of electronic news for The New York Times Vivian Schiller is the senior vice president and general manager of the Discovery Times Channel. The following are
From Borderland (Dir./Exec. Prod./Wtr.: Ivan O'Mahoney; Exec. Prod./Wtr.: Nial Fulton). Courtesy of Al Jazerra America On August 20, 2013, with a click of the remote, American households were able to get their news and commentary from a new venue: Al Jazeera America. Starting a new channel in an already overcrowded cable news scene seemed risky, but the high quality programming soon silenced the naysayers. The day it launched, Al Jazeera America aired Fault Lines: Made in Bangladesh, about American retailers turning a blind eye to the dangerous practices of overseas subcontractors. The
I'm fascinated by sound and how it can transform a documentary program. The creative sound concepts that excite me most are usually the more specific nuts and bolts suggestions. These often involve the structure of a program and need to be implemented early on. In these days of digital wizardry, "we'll fix it in the mix" can be a true statement. My view, however, is that you can more significantly enhance your production values by thinking about sound starting in pre-production. Thus, the sound design of your doc is an integral part of the concept and outline of the entire project, not
It's one of the longest running festivals in the United States—and one of the biggest. And in its 29 years, the Seattle International Film Festival (SIFF; www.seattlefilm.com) has held its own against a proliferation of festivals that have positioned themselves in the late spring/early summer slot that SIFF has always held. "Ultimately, what we keeps us strong and true is that this festival maintains the same identity it started out with," observes Darryl Macdonald, the festival's director and co-founder. "It's an audience festival and it's geared squarely at the Seattle film-going audience."
A review of 'Creative Filmmaking from the Inside Out: Five Keys to the Art of Making Inspired Movies and Television,' by Jed Dannenbaum, Carroll Hodge and Doe Mayer.