The Powwow People cinematographer explains how her bag keeps her present and attuned to the moments she looks to capture
Tech Gear
The Whispers in May and After the Rain cinematographer breaks down why he deems his close-to-30-pound bag indispensable
The Smoke Sauna Sisterhood and Four Daughters editor on building a cozy space for creativity and collaboration
The Citizenfour cinematographer and Flood director on her “simple and vital” camera bag philosophy
The editor of Spermworld and How to Blow Up a Pipeline on valuing portability and good sound
In this interview, filmmakers Jack Weisman and Gabriela Osio Vanden talk about turning their 14-minute short into the Sundance-premiering feature
Cinematographer Iris Ng seeks meaningfulness in her experiences on set, on and off-camera.
Cinematographer and director Zac Manuel captures reality without the barriers of bulky equipment.
Victor Tadashi Suárez’s essential tools span run-and-gun shoots to intricate sound stages.
Shooting Faya Dayi without a crew in rural Ethiopia, where walking long distances was the only way to arrive at my locations, taught me something