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Articles by Sonya Vseliubska

A black and white illustration of a girl curled up is placed on top of a pile of envelopes and letters which is on top of a black, textured background.
“Freedom Is a Luxury”: Andrei Kutsila on Giving Voice and Form to Belarusian Dissent in ‘Letters From the Silenced Country’
Online Feature
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A massive crowd of people in winter clothes is gathered. One man towards the front waves a large Ukrainian flag
Atomic Energy: ‘Time Machine Maidan’ and the Expansive Memory of Babylon’13
Online Feature
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Nighttime shot of a person outside holding a yellow butterfly night up in the air
Exclusive: Trailer for Olga Chernykh’s Sophomore Debut ‘The Illusion of a Quiet Night’
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A soldier in uniform crouches inside an empty concrete room with a machine gun
War as “Something Interconnected and Repetitive”: Marie Wilke on Her Berlinale-premiering Scenario 
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An older man holding a stork in a blanket in his living room.
“We Cannot Run Away From Our Animalistic Nature”: Tamara Kotevska on ‘The Tale of Silyan’
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Three soldiers, with helmets and a small Ukrainian flag on their uniforms, crouching holding their guns outdoors
Metric of Loss: Mstyslav Chernov Discusses the Ethical Responsibility of ‘2000 Meters to Andriivka’
Feature
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A drenched young man in nothing but a swimsuit rides a horse in the middle of a body of water
“A Pure Act of Faith”: Dmytro Sukholytkyy-Sobchuk on Observing a Ukrainian Pacifist Community in ‘Silent Flood’
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Split screen of nine images of speakers.
How to Decode Fascist Systems Today: Michal Kosakowski on His Venice-Premiering ‘Holofiction’
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A young couple sits on the back of a pickup trick, with a portrait of Jesus wearing red.
“Haunts the Present”: Kinga Michalska on Connecting the Holocaust With Poland’s Migrant Crisis in ‘Bedrock’
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An empty room that has been bombed with fabrics, chairs strewn around and windows open.
Screen Time, Winter 2024/2025
Column
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CCTV footage of a group of six Russian soldiers from above.
“Working with Emptiness”: Oleksiy Radynski Discusses His CCTV Chornobyl Doc ‘Special Operation’
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An empty room that has been bombed with fabrics, chairs strewn around and windows open.
“Made Out of Necessity”: Oksana Karpovych Discusses the Chronology of ‘Intercepted’
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