A review of 'First Cut 2: More Conversations with Film Editors,' by Gabriella Oldham.
Editing
Samsara is the third non-verbal film Ron Fricke and I have made, the others being Chronos (1985) and Baraka (1992). These films have taken us in total
The editor of Spermworld and How to Blow Up a Pipeline on valuing portability and good sound
As filmmakers increasingly rely on AI tools to optimize the editing process, we must ask: What is it teaching us to see, and what might we overlook as
Post house Sugar Studios offers filmmakers with mid-tier budgets a lifeline in an era of contraction, enabling projects that might otherwise collapse
Geeta Gandbhir’s The Perfect Neighbor is a blockbuster feature documentary constructed from police video evidence obtained through a Freedom of
Working with over 1,000 hours of archival footage, Ian Bell and Alex Megaro connect their record of Seattle’s 1999 mass protests, WTO/99, with present
In this interview, Mary Stephen reflects on decades spent shaping other filmmakers’ narratives before turning to her own family in Palimpsest: The
Let’s face it: documentaries are no longer "niche." Since 2020, documentaries have been the fastest-growing genre on streaming platforms. Data
I always imagine Jean Tsien in constant motion, even though her work as an editor and producer usually means hours of sitting at a computer. Her films