Artwork for Marc Levitz' I Survived BTK, Courtesy of Marc D. Levitz In a 2006 article about the Emmy Awards that appeared in Documentary magazine, the
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Women Make Movies (WMM) is losing its enviable, mile-long view of New York City's SoHo. Across the street from WMM's floor-to-ceiling windows
Today it is even harder to bring a documentary feature into the world successfully than it is to make one. The traditional system for distributing
On CinemaNet Europe, a new digital cinema initiative.
Plus, a sidebar: Jon Reiss' Top Ten Tips for Signing a Distribution Deal
The 2005 Hot Docs Canadian International Documentary Festival
No one in the documentary community can stop talking about what a great time it is to be working in the world of nonfiction. Docs are booming in
Editor's Note: What follows is the edited version of a chapter from Selling Your Film without Selling Your Soul, by The Film Collaborative, Jon Reiss
When cities recover from hard financial times, creative souls are often pushed to the peripheries. It should come as no surprise that the young
"Ahoy, hornswaggling pirates! Get me film booty out of yer bung hole or you'll sleep in Davy Jones' Locker." That's about the best threat most