We received yet another threat to free speech and expression by documentary filmmakers, this time, the call comes from Hungary. Our friends at the Hungarian Documentary Association have published the statement below on May 15.
Advocacy
IDA is at the forefront of protecting and advancing the legal rights of documentary artists, activists and journalists. Recent efforts have focused on promoting net neutrality, fair use and government arts funding, as well as defending filmmakers’ first amendment rights.
DMCA Exemption for Documentary Filmmakers
The Digital Millennium Copyright Act (DMCA) makes it unlawful to rip from DVDs, Blu-ray discs, and many other encrypted technologies to prevent unauthorized access to copyrighted works. The law blocks filmmakers' ability to make fair use of invaluable footage. While fair use allows us to use copyrighted footage, the DMCA restricts our access to such material. Since 2010, IDA and its Board of Directors members from the University of Irvine (UCI) Intellectual Property, Arts, and Technology Clinic and Donaldson + Callif have represented a coalition of major independent filmmaking organizations in the effort in protecting documentary filmmakers' exemption from the DMCA.
Other work
This article will be updated regularly as the situation unfolds with news and calls to action. May 6, 2025 Since last week, the White House issued an Executive Order instructing the Corporation for Public Broadcasting (CPB) to “cease federal funding for NPR and PBS,” halting direct and indirect
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The International Documentary Association (IDA) and five other venerable filmmaker support organizations are deeply concerned by the news that DOGE is immediately cutting U.S. National Endowment for the Humanities grant programs. The NEH’s vital support of documentaries in the U.S. includes the NEH Media Projects grant program and documentary funding grants from many U.S. state humanities councils. For decades, they provided meaningful arts programming for general audiences, bridging scholarly research, documentary-making, and the public. Since Wednesday, we have received reports of dozens of grant terminations from filmmakers, affecting their ability to pay contracted crew and deliver quality programs for audiences all over the U.S.
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Earlier today, March 24, No Other Land co-director Hamdan Ballal was violently attacked and kidnapped in the West Bank. This news was reported in social media posts published by Ballal’s No Other Land collaborators Basel Adra and Yuval Abraham.
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As representatives of the Art House Convergence and International Documentary Association (IDA), we find the threat made by the mayor of Miami Beach to pull the funding and lease of O Cinema gravely concerning.
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On January 24, by unanimous vote, documentary filmmakers got a big boost from Congress. The House of Representatives passed the Protect Reporters from Exploitative State Spying Act (aka the PRESS Act). It’s a journalist-protection bill that could easily have been called the Protect All Documentarians Act. Although the PRESS Act makes no specific mention of documentary filmmakers, federal courts uniformly include documentary filmmakers in their definitions of journalists. In fact, documentarians stand to be one of the bill’s biggest beneficiaries.
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Rebecca Day and Malikkah Rollins speak with Documentary magazine about the ever-present need for mental health resources for documentary filmmakers: “What we are really trying to focus on here is the filmmakers’ key role, rather than the hierarchical structure that puts them in this massive power game.”
As IDA prepares to convene hundreds of documentarians and storytellers from around the world at Getting Real ’24, we must acknowledge the ongoing violence and intimidation aimed at journalists, documentarians, and media workers across numerous world crises.
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It has been deeply troubling to watch our peers in the Ukrainian film community have their lives and work unraveled by the horrors of war. The International Documentary Association (IDA) has joined over 500 film professionals and institutions from around the world in signing a letter in support of
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Nearly three years after being deported following the world premiere of Alex Rivera and Cristina Ibarra’s The Infiltrators at Sundance, activist Claudio Rojas, who has a prominent role in the film, has been reunited with his family in South Florida. Rojas’ deportation had been decried as a clear act