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Screen Time, Winter 2024/2025

By Dan Schindel

Screen Time, Winter 2024/2025

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What’s in My Bag: Zac Manuel

By Zac Manuel

What’s in My Bag: Zac Manuel

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By Abby Sun

Letter From the Editor, Spring 2025

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By Dominic Asmall Willsdon

Notes From the Reel World, Spring 2025

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The Preview: Five Documentaries to Catch at Sundance 2025

By Abby Sun

The Preview: Five Documentaries to Catch at Sundance 2025

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The Feedback: Elizabeth Ai Sheds Light on a Vietnamese Subculture and Her Fractured Family Tree in ‘New Wave’

By Natalia Keogan

The Feedback: Elizabeth Ai Sheds Light on a Vietnamese Subculture and Her Fractured Family Tree in ‘New Wave’

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By Abby Sun

Letter from the Editor, Winter 2024/2025

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By Ina Fichman

Notes From the Reel World, Winter 2024/2025

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What’s in My Bag: Victor Tadashi Suárez

By Victor Tadashi Suárez

What’s in My Bag: Victor Tadashi Suárez

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The Synthesis: Piotr Winiewicz on the “Surprisingly Ordinary Dreams” Generated by AI in His IDFA Opening Film

By Katerina Cizek

The Synthesis: Piotr Winiewicz on the “Surprisingly Ordinary Dreams” Generated by AI in His IDFA Opening Film

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The Synthesis: AI Is Everywhere, Even in Your Documentary

By shirin anlen

The Synthesis: AI Is Everywhere, Even in Your Documentary

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The Feedback: Emily Packer’s Many Forms of Hybridity in ‘Holding Back the Tide’

By Lauren Wissot

The Feedback: Emily Packer’s Many Forms of Hybridity in ‘Holding Back the Tide’

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