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What’s in My Bag: Iris Ng

By Iris Ng

What’s in My Bag: Iris Ng

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The Synthesis: ‘Deepfaking Sam Altman’ Director Adam Bhala Lough Says Documentarians Should Get Good Lawyers

By shirin anlen , Katerina Cizek

The Synthesis: ‘Deepfaking Sam Altman’ Director Adam Bhala Lough Says Documentarians Should Get Good Lawyers

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The Synthesis: We Must Protect Human Creativity from Being Flattened by AI

By Katerina Cizek , shirin anlen

The Synthesis: We Must Protect Human Creativity from Being Flattened by AI

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The Synthesis: Here’s What Happened When We Prompted Sora With Taglines From Oscar-Winning Documentaries

By shirin anlen , Katerina Cizek

The Synthesis: Here’s What Happened When We Prompted Sora With Taglines From Oscar-Winning Documentaries

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The Synthesis: All Bets Are Off for AI and Documentary—It’s Time for a Reset

By Katerina Cizek , shirin anlen

The Synthesis: All Bets Are Off for AI and Documentary—It’s Time for a Reset

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Producer’s Diary: ‘ChiefsAholic: A Wolf in Chiefs Clothing’ (December 2022–December 2024)

By Kristian Day

Producer’s Diary: ‘ChiefsAholic: A Wolf in Chiefs Clothing’ (December 2022–December 2024)

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Screen Time, Winter 2024/2025

By Dan Schindel , Sonya Vseliubska , Abby Sun and Lauren Wissot

Screen Time, Winter 2024/2025

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What’s in My Bag: Zac Manuel

By Zac Manuel

What’s in My Bag: Zac Manuel

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By Abby Sun

Letter From the Editor, Spring 2025

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By Dominic Asmall Willsdon

Notes From the Reel World, Spring 2025

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The Preview: Five Documentaries to Catch at Sundance 2025

By Abby Sun

The Preview: Five Documentaries to Catch at Sundance 2025

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The Feedback: Elizabeth Ai Sheds Light on a Vietnamese Subculture and Her Fractured Family Tree in ‘New Wave’

By Natalia Keogan

The Feedback: Elizabeth Ai Sheds Light on a Vietnamese Subculture and Her Fractured Family Tree in ‘New Wave’

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