Dear Readers, No Other Land is both narratively explosive and achingly personal. In terms of craft, it’s one of the most impressive examples of verité
Letter from the Editor
Discover the transformative power of images and documentary films in Documentary's latest issue. From the vibrant summer of global conferences, conventions, and the Paris Olympics to the resurgence of interest in avant-garde filmmakers like Bill Morrison and Narcisa Hirsch, explore how events are captured and reinterpreted. Delve into Kirsten Johnson’s insights on the enduring relationships between creators and viewers, the making of the docuseries “God Save Texas,” and the innovative practices of the NoCut Film Collective. Plus, learn about new legislation protecting documentary filmmakers and get capsule reviews of upcoming releases.
This print issue of Documentary comes right before IDA’s biennial industry conference, Getting Real. In the tradition of past magazine issues that immediately precede the conference, this issue previews the conference’s themes of “Strategy, Networks, Access” through interviews with speakers whose work will be featured at the conference.
Dear Readers, Last month, if you were an IDA member who opted into receiving print issues of Documentary , you received a copy of our redesigned print
Dear Readers, This issue returns Documentary Magazine to print after a 10-month pause. At first, the time off from printing allowed us to begin to
Dear Readers, This month, we’ve been hard at work putting together the next print issue of Documentary Magazine , which will be in the mailboxes of
Dear Readers, This past month, as violence flares up around the world and we receive more news about ongoing censorship of documentary filmmakers, we
Dear Readers, We are galvanized by the gains for writers (and the precious few documentarians) who are members of WGA made from the new tentative
Dear Readers, We are gearing up for the fall festival and awards bonanza soon, but we’re also doing our best to resist that gravitational pull and focus on films that are made in a defiantly independent spirit.
The pieces published this month celebrate Disability Pride Month and Immersive July, comprising a series of events, convenings, and articles centering on the potential of immersive technologies like AR, VR, and haptics to push forward the nonfiction form.