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“The Closer You Get to the Truth, the More You Have to Include Contradictions”: Johan Grimonprez on ‘Soundtrack to a Coup d’État’

By Öykü Sofuoğlu

“The Closer You Get to the Truth, the More You Have to Include Contradictions”: Johan Grimonprez on ‘Soundtrack to a Coup d’État’

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West Lake IDF 2024: What’s in a Name

By Amarsanaa Battulga

West Lake IDF 2024: What’s in a Name

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Making a Production: Religion of Sports

By Nora Stone

Making a Production: Religion of Sports

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A Workshop For All: The Miners’ Campaign Tapes

By Ruairí McCann

A Workshop For All: The Miners’ Campaign Tapes

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TIFF 2024: Unleash the Niche

By Winnie Wang

TIFF 2024: Unleash the Niche

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NYFF 2024: Independent Means

By Jonathan Mackris

NYFF 2024: Independent Means

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The More Things Change: A History of Documentary Film Through the First 40 Years of IDA’s Documentary Awards

By Dan Schindel

The More Things Change: A History of Documentary Film Through the First 40 Years of IDA’s Documentary Awards

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Appreciate in Value: A Short, Critical History of Documentary Film Awards

By Noel Ransome

Appreciate in Value: A Short, Critical History of Documentary Film Awards

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The Only Path Forward: ‘No Other Land’

By Mackenzie Lukenbill

The Only Path Forward: ‘No Other Land’

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Cinema Is the Images We Can’t See: Narcisa Hirsch’s Documentary Disposition

By Lucía Requejo and Victor Guimarães

Cinema Is the Images We Can’t See: Narcisa Hirsch’s Documentary Disposition

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Holding On to a Good Story: Making ‘God Save Texas’

By Robin Berghaus

Holding On to a Good Story: Making ‘God Save Texas’

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Making a Production: NoCut Film Collective

By Sudipto Sanyal

Making a Production: NoCut Film Collective

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