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Interview

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The Feedback: Kimberlee Bassford Describes the Unexpected Developments that Continue to Shift the Structure of ‘Before the Moon Falls’
Kimberlee Bassford looks back on the unexpected developments that continue to shift the structure of her Sia Figiel doc Before the Moon Falls
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A white female archivist stands in front of a number of old illustrations of an 18th century English coronation, stacks like in a library behind her
The APA Sits Down With Getty to Discuss the Role of the Archive in the Age of AI
In this interview, Getty Images execs discuss media trust, licensing fee structures, and generative AI tools at the storied archive
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A group of men in colorful shirts and women in colorful saris walk along a sidewalk on a bridge, mountains in the distance, with an animated tiger with a backpack picking up the rear
In Construction: Madhusree Dutta Talks Bridging History and Memory in Her Berlinale-Premiering ‘Flying Tigers’
Madhusree Dutta discusses Flying Tigers, her decades-spanning Berlinale doc about memories and histories reclaimed
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A group of soaked women gather around a riverbed, with pink smoke gathering around them
Becoming the River: Kristina Mikhailova Discusses Violence, Anger, and Female Agency in ‘River Dreams’
In this interview, Kristina Mikhailova discusses violence, anger, and female agency in her Berlinale title River Dreams
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A soldier in uniform crouches inside an empty concrete room with a machine gun
War as “Something Interconnected and Repetitive”: Marie Wilke on Her Berlinale-premiering Scenario 
German director Marie Wilke discusses her observational principles at Europe’s largest military training ground, where war is meticulously rehearsed
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The image of a middle-aged Asian man with long black hair parted in the middle wears headphones and a light green t-shirt hovers over a repeated image of two people sitting on a green couch
“A New Way to Care”: Kevin B. Lee on Expanding the Desktop Documentary With His Feature Debut ‘Afterlives’
In this interview, Kevin B. Lee discusses why he needed to expand the desktop documentary to craft his feature debut, Afterlives
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A shot of a bridge over a river taken from below on a grey cloudy day
“It Seems to Be the Time to Consider Bridges”: James Benning on ‘EIGHT BRIDGES’
This essay and interview examines how James Benning’s EIGHT BRIDGES builds on his decades-long approach to extended observation, personal geography
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A close up of a white woman with shoulder-length dark hair in a red shirt, eyes closed, holding a cigarette in her mouth outside
Revisiting Memory, Desire and Form: Angelica Ruffier on Her IFFR-Bound ‘La belle année’
In this interview, Angelica Ruffier talks about mining her past brushes with desire for her IFFR doc La belle année
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A Black woman with short-cropped hair sits at a stage next to another Black woman; both are holding mics and smiling widely
A Place Like Home: Founder Judy Kibinge Looks Back on Her 13-Year Tenure Running Kenyan-based Fund DocuBox
After stepping down from running DocuBox, founder Judy Kibinge reflects back on her 13-year tenure at the Kenya-based East Africa documentary fund
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A white man wearing a cap and a hoodie sits at a kitchen table with his laptop, which is adorned by a communism sticker and another that reads "Let Cuba Live"
Sinéad O’Shea Talks Capturing Fergie Chambers’s Many Contradictions in ‘All About the Money’
Sinéad O’Shea talks about the challenges of capturing Fergie Chambers’s many contradictions in All About the Money
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