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By Abby Sun

Letter from the Editor, Winter 2024/2025

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A Fresh 2025 Introduction to Documentary Budgeting and Scheduling (With New Templates!)

By Robert Bahar

A Fresh 2025 Introduction to Documentary Budgeting and Scheduling (With New Templates!)

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Congratulations: IDA Grantees on the Oscars 2025 Shortlists

By IDA Editorial Staff

Congratulations: IDA Grantees on the Oscars 2025 Shortlists

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IDFA 2024: What We Owe

By Nicolas Rapold

IDFA 2024: What We Owe

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Agony and Ecstasy: The Bullfight in Albert Serra’s ‘Afternoons of Solitude’

By Carly Mattox

Agony and Ecstasy: The Bullfight in Albert Serra’s ‘Afternoons of Solitude’

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Member Spotlight: Reed Martin

By Anisa Hosseinnezhad

Member Spotlight: Reed Martin

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What’s in My Bag: Victor Tadashi Suárez

By Victor Tadashi Suárez

What’s in My Bag: Victor Tadashi Suárez

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Momentary Shelter: Miguel Coyula and Lynn Cruz Discuss the Risks of Making ‘Chronicles of the Absurd’

By Nicolas Rapold

Momentary Shelter: Miguel Coyula and Lynn Cruz Discuss the Risks of Making ‘Chronicles of the Absurd’

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Paul Leduc’s Alphabet: Notes on a Retrospective at Doclisboa 2024

By Victor Guimarães

Paul Leduc’s Alphabet: Notes on a Retrospective at Doclisboa 2024

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The Only Path Forward: ‘No Other Land’

By Mackenzie Lukenbill

The Only Path Forward: ‘No Other Land’

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“Chronic Dissidence”: IDFA Artistic Director Orwa Nyrabia on the Revolutionary Films of Sara Gómez (Spotlight on Cuba)

By Rachel Pronger

“Chronic Dissidence”: IDFA Artistic Director Orwa Nyrabia on the Revolutionary Films of Sara Gómez (Spotlight on Cuba)

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IDA Announced 2024 Open Call Grant Recipients Receiving a Total of $525,000

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IDA Announced 2024 Open Call Grant Recipients Receiving a Total of $525,000

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