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Letter from the Editor, April 2023

By Abby Sun

Letter from the Editor, April 2023

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Compensation and Transfiguration: Alison O’Daniel’s 'The Tuba Thieves'

By Jordan Lord

Compensation and Transfiguration: Alison O’Daniel’s 'The Tuba Thieves'

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SXSW 2023: ‘Queendom,’ ‘You Were My First Boyfriend,’ and ‘Another Body’

By Catalina Combs

SXSW 2023: ‘Queendom,’ ‘You Were My First Boyfriend,’ and ‘Another Body’

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Bitchitra Collective Selects Seven Filmmakers for Inaugural Fellowship

By IDA Editorial Staff

Bitchitra Collective Selects Seven Filmmakers for Inaugural Fellowship

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CPH:DOX 2023: Finding a Way Forward in Crisis

By Anthony Kaufman

CPH:DOX 2023: Finding a Way Forward in Crisis

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Member Spotlight: Rodrigo Reyes

By Andrea Granera

Member Spotlight: Rodrigo Reyes

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The Rise of Documentaries at Wesleyan University

By TOM GIANAKOPOULOS

The Rise of Documentaries at Wesleyan University

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Remembering Judy Heumann: ‘Changing the Face of Disability in Media’

By IDA Editorial Staff

Remembering Judy Heumann: ‘Changing the Face of Disability in Media’

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The Missing Link in Documentary Ethics: The Viewer

By Victor Guimaraes

The Missing Link in Documentary Ethics: The Viewer

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'The Female Gaze in Documentary Film' is Expansive and International

By Arshia

'The Female Gaze in Documentary Film' is Expansive and International

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Reflections of a First-Time Attendee

By Mariana Sanson

Reflections of a First-Time Attendee

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Reflections on Images of Violence

By Natalia Almada

Reflections on Images of Violence

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