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“The Deepest, Darkest Parts of Ourselves”: Victoria Mapplebeck Discusses ‘Motherboard’

By Carol Nahra

“The Deepest, Darkest Parts of Ourselves”: Victoria Mapplebeck Discusses ‘Motherboard’

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Robinson Devor Discusses ‘Suburban Fury’

By Dan Schindel

Robinson Devor Discusses ‘Suburban Fury’

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The Feedback: Jessica Chaney and Amanda Willoughby Reframe Mental Health Challenges in ‘I Am’

By Dan Schindel

The Feedback: Jessica Chaney and Amanda Willoughby Reframe Mental Health Challenges in ‘I Am’

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Shifting Ground: Mati Diop’s ‘Dahomey’

By Saffron Maeve

Shifting Ground: Mati Diop’s ‘Dahomey’

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Cinema Is the Images We Can’t See: Narcisa Hirsch’s Documentary Disposition

By Lucía Requejo and Victor Guimarães

Cinema Is the Images We Can’t See: Narcisa Hirsch’s Documentary Disposition

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Monumental Human Error: Observing Folly in ‘Burden of Dreams’ and ‘My Best Fiend’

By Alexander Mooney

Monumental Human Error: Observing Folly in ‘Burden of Dreams’ and ‘My Best Fiend’

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Sustainability in All Its Forms: A-Doc’s New Co-Directors Value Holistic Support

By Pallavi Somusetty and Cindy Choung

Sustainability in All Its Forms: A-Doc’s New Co-Directors Value Holistic Support

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IDA Member Spotlight: Asako Fujioka

By Catalina Combs

IDA Member Spotlight: Asako Fujioka

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“Cat and Mouse”: Cullen Hoback Confronts the Bitcoin Creator Mystery in ‘Money Electric’

By Dan Schindel

“Cat and Mouse”: Cullen Hoback Confronts the Bitcoin Creator Mystery in ‘Money Electric’

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“Filming in Retrospect”: Gabrielle Brady Discusses ‘The Wolves Always Come at Night’

By Amarsanaa Battulga

“Filming in Retrospect”: Gabrielle Brady Discusses ‘The Wolves Always Come at Night’

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Exclusive: American Film Showcase Announces 2025 Film Slate

By IDA Editorial Staff

Exclusive: American Film Showcase Announces 2025 Film Slate

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Camden 2024: A Profound Commitment

By Mariana Sanson

Camden 2024: A Profound Commitment

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