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“We’re Not Naive Enough to Think This Is the Only Truth”: Göran Hugo Olsson on ‘Israel Palestine on Swedish TV 1958–1989’

By Öykü Sofuoğlu

“We’re Not Naive Enough to Think This Is the Only Truth”: Göran Hugo Olsson on ‘Israel Palestine on Swedish TV 1958–1989’

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Locarno 2024: Technologies of Vision/Visions of Technology

By Arta Barzanji

Locarno 2024: Technologies of Vision/Visions of Technology

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Holding On to a Good Story: Making ‘God Save Texas’

By Robin Berghaus

Holding On to a Good Story: Making ‘God Save Texas’

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Reality Show: Julia Loktev on ‘My Undesirable Friends: Part I — Last Air in Moscow’

By Lauren Wissot

Reality Show: Julia Loktev on ‘My Undesirable Friends: Part I — Last Air in Moscow’

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“How Social Change Happens From Below”: Lucas Guilkey and JoeBill Muñoz Discuss ‘The Strike’

By Noel Ransome

“How Social Change Happens From Below”: Lucas Guilkey and JoeBill Muñoz Discuss ‘The Strike’

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Five Ways to Write Better Grants

By Arushi Khare

Five Ways to Write Better Grants

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Exclusive: Leila Abu-saada Joins CAAM as Building Bridges Documentary Fund Manager

By IDA Editorial Staff

Exclusive: Leila Abu-saada Joins CAAM as Building Bridges Documentary Fund Manager

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Utopia Is Temporary: Ben Russell and Guillaume Cailleau Discuss ‘Direct Action’

By Alex Lei

Utopia Is Temporary: Ben Russell and Guillaume Cailleau Discuss ‘Direct Action’

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Venice 2024: Bumper Crop

By Nicolas Rapold

Venice 2024: Bumper Crop

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IDA Member Spotlight: Bircan Birol

By Anisa Hosseinnezhad

IDA Member Spotlight: Bircan Birol

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Making a Production: NoCut Film Collective

By Sudipto Sanyal

Making a Production: NoCut Film Collective

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Exclusive: American Documentary Honors PJ Raval With Creative Visionary Award

By IDA Editorial Staff

Exclusive: American Documentary Honors PJ Raval With Creative Visionary Award

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