The construction of subjectivity in first-person documentary is given serious consideration in The Cinema of Me: The Self and Subjectivity in First
Personal Docs
In the Winter 2024/2025 cover essay of Documentary magazine, No Other Land’s collective of Palestinian and Israeli co-directors imagine a reciprocal, shared future in front of and behind the camera.
For the past eight years, the making of Shiori Ito’s feature debut, Black Box Diaries, has consumed the majority of her life. A riveting portrait of
After spending her early career making documentaries for British television, primarily for the public service broadcaster Channel 4, Victoria
At the bottom of page 49 in a 1993 edition of the fabled Argentine film magazine El Amante , there is a sidebar titled “Experimental Cinema,” written
New Yorker staff writer Lawrence Wright remembers colleagues asking, “Why do you live in Texas?” when his location shouldn’t have been exceptional
It was around 2005 and I stared at the TV screen in my parent's living room in awe. The credits for Tarnation—directed, produced, and edited by
Winner of the Directing Award for US Documentary at this year’s Sundance Film Festival, Reid Davenport’s debut feature, I Didn’t See You There, is
There Is No "I" in Threesome is certainly a doc I would not have predicted to have world-premiered at the WarnerMedia Lodge at this year’s Sundance
In 2016, Kirsten Johnson, who was then most known for her work as a cinematographer on some of the most challenging and acclaimed documentaries of our