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Cannes 2025: Nonfiction, By the Numbers

By Nicolas Rapold

Cannes 2025: Nonfiction, By the Numbers

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Exclusive: Clip from Beth Stephens and Annie Sprinkle’s ‘Playing With Fire: An Ecosexual Emergency’

By IDA Editorial Staff

Exclusive: Clip from Beth Stephens and Annie Sprinkle’s ‘Playing With Fire: An Ecosexual Emergency’

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“Sometimes the Past Is a Snake”: Tatiana Fuentes Sadowski on the Legacy of the Rubber Trade in ‘The Memory of Butterflies’

By Rachel Pronger

“Sometimes the Past Is a Snake”: Tatiana Fuentes Sadowski on the Legacy of the Rubber Trade in ‘The Memory of Butterflies’

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“An Exploration of Whiteness and the Flattering Illusions of History”: Suzannah Herbert on her Tribeca-Winning Natchez

By Lauren Wissot

“An Exploration of Whiteness and the Flattering Illusions of History”: Suzannah Herbert on her Tribeca-Winning Natchez

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“Fear Can Also Be Powerful for Creation, Not Just for Destruction”: Déni Oumar Pitsaev on his Cannes Prize-Winner ‘Imago’

By Nicolas Rapold

“Fear Can Also Be Powerful for Creation, Not Just for Destruction”: Déni Oumar Pitsaev on his Cannes Prize-Winner ‘Imago’

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What’s in My Bag: Iris Ng

By Iris Ng

What’s in My Bag: Iris Ng

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Exclusive: Clip from Edivan Guajajara, Chelsea Greene, and Rob Grobman’s ‘We Are Guardians’

By Grace Gordon

Exclusive: Clip from Edivan Guajajara, Chelsea Greene, and Rob Grobman’s ‘We Are Guardians’

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The Synthesis: ‘Deepfaking Sam Altman’ Director Adam Bhala Lough Says Documentarians Should Get Good Lawyers

By shirin anlen , Katerina Cizek

The Synthesis: ‘Deepfaking Sam Altman’ Director Adam Bhala Lough Says Documentarians Should Get Good Lawyers

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The World’s a Stage: An Introduction to ‘Grand Theft Hamlet’ and Other Documentaries Made in Video Games

By Dan Schindel

The World’s a Stage: An Introduction to ‘Grand Theft Hamlet’ and Other Documentaries Made in Video Games

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Hot Docs 2025: Life Support

By Alexander Mooney

Hot Docs 2025: Life Support

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“Haunts the Present”: Kinga Michalska on Connecting the Holocaust With Poland’s Migrant Crisis in ‘Bedrock’

By Sonya Vseliubska

“Haunts the Present”: Kinga Michalska on Connecting the Holocaust With Poland’s Migrant Crisis in ‘Bedrock’

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“At the Core, It’s About Supporting Filmmakers”: Galya Stepanova on Doc Alliance’s Evolving Mission

By Davide Abbatescianni

“At the Core, It’s About Supporting Filmmakers”: Galya Stepanova on Doc Alliance’s Evolving Mission

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