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Screen Time, Winter 2024/2025

By Dan Schindel

Screen Time, Winter 2024/2025

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What’s in My Bag: Zac Manuel

By Zac Manuel

What’s in My Bag: Zac Manuel

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Making a Production: Religion of Sports

By Nora Stone

Making a Production: Religion of Sports

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The Future of NEA Funding for U.S. Documentary Film Nonprofits Remains in Limbo After Anti-DEI and “Gender Ideology” Executive Orders

By Natalia Keogan

The Future of NEA Funding for U.S. Documentary Film Nonprofits Remains in Limbo After Anti-DEI and “Gender Ideology” Executive Orders

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Sundance 2025: Think Before You Point

By Ishita Sengupta

Sundance 2025: Think Before You Point

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A Workshop For All: The Miners’ Campaign Tapes

By Ruairí McCann

A Workshop For All: The Miners’ Campaign Tapes

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Work in Progress: Archival Producers Alliance Release New “Working with Archival Producers” Guidelines

By Natalia Keogan

Work in Progress: Archival Producers Alliance Release New “Working with Archival Producers” Guidelines

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“Working with Emptiness”: Oleksiy Radynski Discusses His CCTV Chornobyl Doc ‘Special Operation’

By Sonya Vseliubska

“Working with Emptiness”: Oleksiy Radynski Discusses His CCTV Chornobyl Doc ‘Special Operation’

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“I Didn’t Want to Have ‘Migration’ in the Title”: Sam Abbas on ‘Europe’s New Faces’

By Natalia Keogan

“I Didn’t Want to Have ‘Migration’ in the Title”: Sam Abbas on ‘Europe’s New Faces’

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Exclusive: Clip and Poster Debut From Eleanor Mortimer’s True/False-Premiering ‘How Deep Is Your Love’

By IDA Editorial Staff

Exclusive: Clip and Poster Debut From Eleanor Mortimer’s True/False-Premiering ‘How Deep Is Your Love’

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Democratizing Film Funding Was Never Going to Be Easy

By Anthony Kaufman

Democratizing Film Funding Was Never Going to Be Easy

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“Relational Freedom”: Angelo Madsen on ‘A Body to Live In’

By Edward Frumkin

“Relational Freedom”: Angelo Madsen on ‘A Body to Live In’

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