I first encountered the work of Milo Rau back in 2020, when his reimagining of the story of Jesus, The New Gospel, premiered in Venice. Set in the
South American Media
At the bottom of page 49 in a 1993 edition of the fabled Argentine film magazine El Amante , there is a sidebar titled “Experimental Cinema,” written
Imagine the hallways of Cornell University, a quiet, comfortable campus in upstate New York, in the mid-1970s. Now imagine, in one of the Ivy League rooms, a Marxist reading group that brings together students and professors from different generations, ethnicities, and countries. They are united by an urgency to make revolutionary art and contribute to the dismantling of imperialist capitalism. This is the origin story of the Victor Jara Collective, a coalition of artists and activists named after the revolutionary Chilean musician assassinated during the Pinochet regime.
Morzaniel Ɨramari, an Indigenous documentary-maker from the Amazon rainforest, is traveling with his third film, Mãri Hi - The Tree of Dream, in order to raise awareness about his people’s current plight. He is the first filmmaker from among the Yanomami, an ethnic group of roughly 35,000 foraging agriculturalists stewarding a Nebraska-sized swathe of the Amazon, who live in equilibrium with nature. During Bolsonaro’s reign, through a calamitous combination of state neglect and an influx of illegal miners hungry for gold, the Yanomami suffered what President Lula da Silva terms “an attempted genocide.”
Since early 2020, the COVID pandemic has taken a merciless toll on film institutions and festivals around the world. But for Cinemateca Brasileira
The Mole Agent is in a class by itself. For starters, documentaries about private detectives and their moles are exceedingly rare. What’s more, any film that mashes up vérité, film noir and Pink Panther tone is one of a kind.
Though The Edge of Democracy is Brazilian filmmaker Petra Costa's final piece in a personal trilogy, it's the first to nab her an Oscar nomination for
In the US and Europe, there is a tendency to think of Latin American documentary filmmaking in terms of coups, government repression and revolution
I was late arriving to the 2015 True/False Film Festival and lamenting missing all the screenings I’d planned to see that night. However, after a long
The It's All True Festival, Brazil's first documentary film festival, introduces a new variety of short and feature-length productions selected from