Skip to main content


A review of 'First Cut 2: More Conversations with Film Editors,' by Gabriella Oldham.
Samsara is the third non-verbal film Ron Fricke and I have made, the others being Chronos (1985) and Baraka (1992). These films have taken us in total
Let’s face it: documentaries are no longer "niche." Since 2020, documentaries have been the fastest-growing genre on streaming platforms. Data
I always imagine Jean Tsien in constant motion, even though her work as an editor and producer usually means hours of sitting at a computer. Her films
It was the first day on my new editing gig: a feature documentary about abuse, directed by Amy J. Berg. The AE had delivered the hard drive, the
Documentary editors discuss their editing process and how filmmakers could apply a better understanding of intersectionality and the importance of inclusion and diversity in the workplace.
In documentaries, women dominate the roster of editors working on the most compelling films and television series. To understand the current landscape
Making Waves: The Art of Cinematic Sound is a deftly drawn story about sound and its evolving role in filmmaking, told through the personal histories
In the Docs Get Graphic Master Class, Emmy-nominated filmmaker Neil Berkeley explores using graphic design and animation to enhance a documentary's
"Documentary editing is perhaps one of the most challenging intellectual feats on the planet…How does anyone do it?" Author, educator and film editor