It is not surprising that the Tow Center for Digital Journalism's research project, Video Now —which examines current trends of news publications'
Distribution
When Silverdocs launched in 2003, Ann Richards and George Plimpton were still alive, Journey was just another '80s rock band, and a small Moroccan
Amid industry disruption, filmmakers search for marketing and data solutions in community.
Charlie Shackleton describes “The Afterlight” as “a film that’s designed to be lost.” It deliberately exists as a single 35mm print that will naturally degrade over time and with every showing. But recently, the film was lost in a different way than intended. Documentary spoke with Shackleton about the logistics of the accidental loss of the film and its subsequent recovery.
There’s a scrappiness behind Memory’s sleek exterior and dedicated cult following. The L.A.-based production company has only two full-time employees: its founders Sebastian Pardo and Riel Roch-Decter. The duo sought to create both a low-budget dream factory for passion projects and a sustainable network of filmmakers working in the DIY ethos of the 2000s, but with the stylistic inclinations of tidier, higher-budget productions.
A dizzying, fast-paced, 150-minute montage about American jazz, Western imperialism, European colonization, and the assassination of Congolese
A Conversation With Jamie Shor and Sky Sitney Washington, DC, is getting its newest documentary showcase with the launch of DC/DOX Film Festival
“Right now the system—that's the sad part of this collapsing system—is basically taking advantage that there are so many filmmakers that are clueless
"From Pre-Pandemic Flashback to Post-Pandemic Visions of Documentary Distribution" was the long and winding title of a thankfully succinct, nuts-and
This is a tale of taking our old films and meeting the brave new world of distribution. A lot of ingenuity is called for to keep our films before the