This year, Camden International Film Festival (CIFF) marked its 20th anniversary with—as described by its programmers—a lineup of highly political
Documentary Shorts
Launched just under two years ago, L.A. Times Short Docs has quickly established itself as a presence in the industry landscape. Now in its second
Breakwater Studios is the first spotlight of Making a Production, our new strand of in-depth profiles featuring production companies that make critically-acclaimed nonfiction film and media in innovative ways. Mark Jonathan Harris digs into the company's history from its founding by Ben Proudfoot to its recent support of other directors, its branded content division, and the key creative characteristics of their award-winning short films.
Many media depictions of Chicago don’t resonate with me. As someone raised in its northern suburbs, I’m happy to watch works such as "The Dark Knight" (2008), "Widows" (2018), or one of the Kartemquin documentaries shot in the city. However, most of them focus on the city’s corrupt politics or have a strong crime element in the story. In a saturated media market where (true) crime sells, a story’s criminal and political attention-grabbing subject can overshadow the aspirations of real-life residents.