Skip to main content

Copyright

In today's fast-paced and budget-conscious entertainment industry, increased programming and production opportunities in film, television, radio and
It seems like the world wakes up to new information about artificial intelligence technology every day. From the lawsuits over the use of unlicensed works to train AI models, to the controversies that arise from late actors’ resurrections in Hollywood’s biggest franchises, it’s easy to see how the use of artificial intelligence can be daunting to filmmakers. To help filmmakers navigate through the tricky waters of AI, our firm has compiled a few items of practical advice that we believe can be helpful to documentary filmmakers who want to utilize AI in a cautious yet effective manner. And although these tips are based on U.S. law, we’re hopeful that their practical nature will benefit filmmakers in international jurisdictions as well.
We who live in the Washington DC area have access to the world’s largest rights-free collections of film and photos, and they are usually available to
By Sheila Curran Bernard and Kenn Rabin Editor’s Note: This article is adapted from the second edition of Bernard and Rabin’s Archival Storytelling: A
A client once asked me if the legal and business issues concerning an audio-visual project would change, since mediamakers are producing more projects
A review of Michael Donaldson's 'Clearance & Copyright: Everything the Independent Filmmaker Needs to Know,' 2nd Edition
Music supervision is one of those coveted jobs by individuals who are passionate about music and who sense they can match songs with images. Driving
Documentary filmmaking continues to enjoy a surge in popularity, visibility and exhibition, in styles and formats ranging from short to feature-length
Over the last decade, there has been an explosion of music documentaries finding their way to both the big and small screens. Making one is in many