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Articles by Amarsanaa Battulga

A woman in a striped shirt with a tote bag over her shoulder uses her smartphone. She stands in front of two large banners, one of which displays a schedule for the 2026 edition of What the Doc!, and one of which displays a graphic of a man's face (the same graphic which is on her bag) behind the words What the Doc! 2
What the Doc! 2026: A Work in Progress
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50 people of varying ages and races stand and kneel in three rows in a large, open exhibition space. Three large banners behind the group read "Taiwan International Documentary Festival 2026"
Taiwan Int’l Doc Festival 2026: Points of Departure
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A line of covered trucks drive over black terrain
On the Coal Road: Khoroldorj Choijoovanchig on his Tribeca-premiering ‘Colors of White Rock’
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Wildly saturated photo of two young girls with long black hair walking in a meadow filled with flowers
The Film as Wish: Dongnan Chen on Her CPH:DOX Winner ‘Whispers in May’
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An empty, cramped office with plenty of strewn papers and posters covering every wall
Union Work for the 21st Century: Srđan Kovačević on ‘The Thing to Be Done’
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A person in safety gear and a mask looks at the camera, standing next to the door to a room where more people in the same gear are pictured inside.
Jeonju 2025: Small Sparks
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In an overgrown field, a young boy squats while holding a pair of binoculars.
“Capturing the Poetic Essence of Childhood Innocence”: Deming Chen and Hansen Lin on Their CPH:DOX and Jeonju Winner ‘Always’
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On a steep mountainside, two men sit on the ground next to their horses.
“A Brutal Kind of Beauty”: Kasimir Burgess on His Visions du Réel-Premiering ‘Iron Winter’
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Under rain umbrellas, hundreds of festivalgoers chat and drink during a party.
West Lake IDF 2024: What’s in a Name
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Two people dressed in traditional Mongolian clothes look into the distance.
“Filming in Retrospect”: Gabrielle Brady Discusses ‘The Wolves Always Come at Night’
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A Chinese woman with dark hair and a sequined blue jacket with a fur collar sits at a white marble table and speaks into her cell phone. Another cell phone rests on the table by her elbow. There is a brown curtain and wooden bookshelf behind her.
“A Very Elegant Triangle”: Elizabeth Lo Discusses ‘Mistress Dispeller’
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Photograph of a figure bundled in winter clothes in front of a giant statue.
“As Foreign Filmmakers, You Need to Be Let In”: Kristoffer Juel Poulsen and Christian Als Discuss ‘Daughter of Genghis’
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In the distance, a young man stands on the edge of a mountain and looks across a wintery valley.
“Mongolia Felt Very Familiar”: Martina Radwan Discusses ‘Tomorrow, Tomorrow, Tomorrow’
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