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How an Anti-SLAPP Statute Protected ‘The Holly’

By Julian Rubinstein and Robert S. Gutierrez

How an Anti-SLAPP Statute Protected ‘The Holly’

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Dreaming to Change the World: The Victor Jara Collective and the Legacy of Third Cinema

By Victor Guimarães

Dreaming to Change the World: The Victor Jara Collective and the Legacy of Third Cinema

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Making a Production: Memory

By Alex Lei

Making a Production: Memory

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“Any Human Who Films Is Already Part Machine”: Kirsten Johnson Searches for the Ineffable

By Stephanie Jenkins

“Any Human Who Films Is Already Part Machine”: Kirsten Johnson Searches for the Ineffable

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“When Hope Is Weary”: Jemma Desai Questions What We Choose to Ignore

By Arta Barzanji

“When Hope Is Weary”: Jemma Desai Questions What We Choose to Ignore

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By Williams Cole

The Dilemma of Documentary Proof: Archival Producers Alliance Co-founders Discuss How AI Will Change Archival

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A Broken System: Vinay Shukla’s ‘While We Watched’ and Other Recent Indian Documentaries Face Challenges At Home

By Ishita Sengupta

A Broken System: Vinay Shukla’s ‘While We Watched’ and Other Recent Indian Documentaries Face Challenges At Home

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Reenactments and Reversals: The Plot Twist in Kaouther Ben Hania’s ‘Four Daughters’

By Winnie Wang

Reenactments and Reversals: The Plot Twist in Kaouther Ben Hania’s ‘Four Daughters’

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Making a Production: Meerkat Media

By A.E. Hunt

Making a Production: Meerkat Media

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Making a Production: Grain Media

By Carol Nahra

Making a Production: Grain Media

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Making a Production: Breakwater Studios

By Mark Jonathan Harris

Making a Production: Breakwater Studios

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The Missing Link in Documentary Ethics: The Viewer

By Victor Guimarães

The Missing Link in Documentary Ethics: The Viewer

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