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Two men look at a map in the wilderness against the background of a cliffside.
CPH:DOX 2024 Reviews: ‘Phantoms of the Sierra Madre,’ ‘The Flats,’ and ‘Black Snow’
Phantoms of the Sierra Madre Norwegian director Håvard Bustnes made his name with confrontational documentaries in which he explores the motivations
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A bald man bends down to hug his daughter. The child is wearing a sad expression.
Screen Time, Summer/Fall 2024
Documentary brings you capsule reviews of some highly anticipated films.
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From below, a man digs a grave.
“This Is a Community Living on the Edge of Death”: Julian Brave NoiseCat and Emily Kassie Build Trust in ‘Sugarcane’
A film forged through traumatic reckoning, Sugarcane investigates the discovery of 50 unmarked graves on the property of St. Joseph’s, a now-defunct
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A middle–aged, white couple look at each other, laughing. The woman on the left is wearing an orange shirt and the man on the right is wearing sunglasses on his head and a white tank. He has a tattoo on his shoulder.
The Feedback: Amy Nicholson on Embedding in the Community of ‘Happy Campers’
Though veteran director-producer Amy Nicholson has crafted feature-length films (2012’s Zipper: Coney Island’s Last Wild Ride , 2005’s Muskrat Lovely
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A white man flips through crates of records while kneeling on the ground.
“More a Labor of Love Than a Paying Gig”: Chris Wilcha Returns to Documentary With ‘Flipside’
Chris Wilcha released his breakthrough film, the Slamdance award-winning documentary The Target Shoots First , in 2000. Like so many foundational Gen
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