By Steven Beer, Jake Levy and Neil Rosini As attorneys at the New York City-based law firm of Franklin, Weinrib, Rudell & Vassallo, we work
Music
On our first shoot with Mark Landis, the prolific art forger and main subject of Art and Craft, we rode along with him on an errand to Hobby Lobby for
Scoring Your Film - Licensing and Composing
Music supervision is one of those coveted jobs by individuals who are passionate about music and who sense they can match songs with images. Driving
Documentary filmmaking continues to enjoy a surge in popularity, visibility and exhibition, in styles and formats ranging from short to feature-length
Front row: sound supervisor/mixer James LeBrecht. second row, left to right: filmmaker Alex Rotaru; editor Pedro Kos; Ken Jacobson, IDA's director of
Charlotte Zwerin passed away in January of lung cancer, and while we noted her death in the Short Takes column in the April issue, we felt it was
Over the last decade, there has been an explosion of music documentaries finding their way to both the big and small screens. Making one is in many
The panel "Music—The Forgotten Character in Documentary Storytelling," which took place at the Filmmaker Lodge during the 2004 Sundance Film Festival
Filmmakers have often told me that they find the scoring process to be one of the most daunting aspects of making movies. Even some seasoned directors