The word access has a unique resonance for nonfiction filmmakers – when applied to disability it gains even greater significance. Access to resources
Getting Real
Accuracy, facts and fairness are hallmarks of nonfiction storytelling and sacrosanct in journalism. Documentary filmmakers are obliged to follow local
Editor’s Note: Orwa Nyrabia is the artistic director of International Documentary Filmmaker Amsterdam (IDFA). He was born in Syria, where, in 2002
Editor’s Note: Chi-hui Yang is program officer at Ford Foundation’s JustFilms initiative. What follows is an edited version of his keynote address at
Editor’s Note: Molly Thompson is Senior Vice President of Feature Films at A&E Networks. In 2005 she launched the network’s feature documentary arm, A
Transcription of Michele Stephenson's Keynote address from Getting Real '18.
Mixed reality, artificial intelligence and other innovations are rapidly shifting the landscape of media and society. As storytellers, we have a
As a documentary filmmaker with one project in distribution, one in post and one in development, it felt like a perfect moment to attend IDA’s Getting
Reenactments have been a part of documentary since the very beginning of the form: Robert Flaherty's seminal 1922 film Nanook of the North, arguably
Alain Resnais said about Night and Fog, "I want to address the viewer in a critical state…to create a space for contemplation." In the Getting Real