Skip to main content

Column

Shooting Faya Dayi without a crew in rural Ethiopia, where walking long distances was the only way to arrive at my locations, taught me something
Discovering Errol Morris’ Vernon, Florida, inside a dark alcove in NYU’s media library as an undergrad studying film was what inspired me to pursue
Dear Documentary Community, Just over a year ago, I began my tenure as IDA’s first Latinx executive director. I accepted the position hoping to
Directors/producers Lisa Riordan Seville and Zara Katz came to their first documentary project, A Woman on the Outside, through separate, but
Margaret Byrne’s Any Given Day is a half-decade-long ride on the roller coaster that those living with a mental illness face—on “any given day”
Kill the Documentary is a brilliant, angry book. An honest book. A brave book. Guggenheim Fellow and award-winning filmmaker Jill Godmilow has written a stirring call to arms in a form she calls “a letter.” I rather agree with Bill Nichols, who writes in the foreword that he prefers to call it “a manifesto.”
For over four decades, 20,000 feet of 16mm-shot film sat untouched in the San Francisco home of lifetime Chinatown resident Reverend Harry Chuck. The
In 2014, Claude Motley got shot in the face during an attempted car-jacking in Milwaukee. The shooter was 15-year-old Nathan King. A few days later
Dear Readers, Last fall, when the International Alliance of Theatrical Stage Employees (IATSE) averted a strike against the Alliance of Motion Picture
Thomas Allen Harris is an award-winning documentary filmmaker and artist whose acclaimed works include VINTAGE—Families of Value, Through a Lens