Though Bloody Nose, Empty Pockets premiered in the US Documentary Competition at pre-pandemic Sundance back in January, I didn’t catch Bill and Turner
Column
Cutting Class is a new column that focuses on a specific aspect of the post-production process—breaking down a scene editorially, and delving into
And She Could Be Next, directed by Grace Lee and Marjan Safinia, is a two-part docuseries that follows the campaigns of six women of color running for
Taking Best Documentary Feature Film at last year's Outfest, Tom Shepard's Unsettled, an IDA Enterprise Documentary Fund grantee, adheres to every
Belly of the Beast, Erika Cohn's follow-up to her multi-award-winning The Judge, tracks down a previously little-known story about enforced—and
When was the last time you picked up a book—a historical survey on documentary film, to be more exact—and discovered a page-turner? My guess is, you
Vetting—the process of reviewing scripts and footage to address legal concerns prior to a documentary film’s release—generally occurs at (or toward)
By Steven Beer, Neil Rosini & Julie Angell How can geoblocking impact the video-on-demand marketplace? Geoblocking technology restricts access to
Dear IDA Community, We recognize that we are living in a time of enormous injustice, but also of potentially historic change. The deep injustice on
Dear Readers, This Spring issue comes to you late in the season, with summer, the season, just weeks away, and Summer, the next issue, in progress and