Column

I first saw Heddy Honigmann's film Crazy at a retrospective of her work at New York's Museum of Modern Art. I went into the screening expecting a war

A review of 'Playing to the Camera: Musicians and Musical Performance in Documentary Cinema.'

A review of 'A Critical Cinema 4: Interviews with Independent Filmmakers.'

A review of Betsy A. McLane's 'A New History of Documentary Film, Second Edition.'

'Solar Mamas,' one of the films in 'Why Poverty?', airs November 5 on PBS' 'Independent Lens' series.

A train flies across the screen. A broom sweeps debris from a pavement. A boy jumps into bed and huddles under the covers. Trains are often the

On social change and its leading actors.

PBS moves POV and Independent Lens back to Tuesday; NEA cuts funding for nonficiton programming; Lee Storey wins ruling on IRS.

One year into making my first documentary, Clear Cut: The Story of Philomath, Oregon, I lost everything. Not in the literal sense; I still had a roof

A review of 'Risky Business: Financing & Distributing Independent Films'