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If you work in contemporary or historical documentary or satire, chances are you've asked about rights: "Can I use this shot?" "Whom do I pay?" "Can I
You've done it. You've run the funding gauntlet, overcome colossal obstacles in pre-production and tackled the challenges of production. As you rest
"If this piece of film dies, a human thought dies with it. If I can do something to preserve that thought, isn't it worth doing?" That observation was
Offering a full ten-day program of high-quality documentaries, the fifth Thessaloniki Documentary Film Festival—"Images of the 21st Century," held in
In April 2002, I was videotaping an animal rights protest in Beverly Hills, California, for an independent documentary I am producing titled Chattel
Like many documentarians, Malcolm Leo got his start at David L. Wolper Productions along with Mel Stuart, Jack Haley Jr., William Friedkin, David
Berga: Soldiers of Another War is an elegy in two senses. The personal "what might have been" aspect of the story haunted and motivated Charles
Suppose one of those Oscar nominees that went on stage in solidarity with Michael Moore this year didn't really think that President Bush was a
Filmmakers have often told me that they find the scoring process to be one of the most daunting aspects of making movies. Even the most seasoned admit