To say the Regus London Film Festival (RLFF) is a feast of film is an understatement. For the gourmet there's enough of the esoteric or obscure to be
Feature
May we direct your attention to the upper left-hand corner of your map? At the northwest edge of the continental United States sit two thriving
Berlin, Germany. October 20, 2002. A clear, crisp, cold day, with autumn winds blowing in from the east. At the Intercontinental Hotel on Budapester
A few years ago, in an attempt to escape the onslaught of "reality" and other tawdry genres taking over much of the documentary world, I decided to
Unless your documentary consists entirely of original footage you've shot, chances are you're going to use archival footage and stock shots to help
Documentarians and other filmmakers who rely on images from libraries and archives to tell their stories are being helped by long-promised advances in
In Spring 2002, news headlines announced that PBS would add four new episodes to its venerable documentary series Frontline with a new format
One of the great things about watching documentaries is that that they can take you places that you've never been, and expose you to worlds that you
Veteran documentarian DA Pennebaker is fond of drawing analogies between film and video. In the 1930s, he recalls, filmmakers told their stories with
Editor's Note: This is a condensed, revised and updated version of an article on documentary production training that appeared in the November 2001