Director Michael Apted's Inspirations (1997) and Me and Isaac Newton (1999) have a lot in common. Both are intimate portraits of seven characters (the
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As the plane descended, I could see New York, Paris and Monte Carlo framed in the same window. It was Las Vegas—dazzling lights, towering skyscraper
Over the past seven years, Slamdance Film Festival has evolved from scruffy upstart, taking on Sundance, the eminence grise of Park City, with a DIY
Back in the 20th century, filmmakers had to cut on film by hand or the equally arduous off-line tape method. In the early ’90s, several non-linear
After 17 years of being programmed at random times on the HBO schedule, America Undercover finally has a home in an upscale neighborhood. The
Building on the success of 2000, the Sundance Film Festival again proved its commitment to the documentary by offering an expanded 2001 version of
The 2001 Sundance Film Festival was homecoming, alumni weekend and orientation all rolled into one. The annual wintertime happening feted some of the
For some documentary filmmakers, the words “motion control” conjure up vague images. A more sophisticated way of shooting stills, perhaps; something
Like most filmmakers, Thomas Repp, BVK, has heard the rhetoric comparing the pros and cons of originating on film and the new HD 24P video system. In
Editor’s Note: For Richard Roe, who made the award-winning Pop & Me with his son Chris,, selling a documentary to the media takes more than a little