Marcel Ophuls' moral passion and cinematic methods have been renovating documentary film for over 20 years. From the renowned The Sorrow and the Pity
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When I read Nicholas Webster 's article "How Robert Flaherty Changed My Life" ( International Documentary Winter/Spring 1988), I vividly remembered
Bruce Weber's latest film, Let's Get Lost , documents the low-life style of Chet Baker from young trumpet god of 1953 to the time-ravaged jazz foot
The organizers of the U.S. Film Festival in Park City, Utah, invited three distinguished filmmakers to come and critique documentary cinema. Jean-