"I went into documentaries because I wanted to make socially responsible movies. It was a way to use cinematography to make a statement about the
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Artwork for Marc Levitz' I Survived BTK, Courtesy of Marc D. Levitz In a 2006 article about the Emmy Awards that appeared in Documentary magazine, the
From Ken Burns’ The Dust Bowl. Courtesy of Historic Adobe Museum It is a well-worn cliché that "a picture is worth a thousand words." Often, there is
Don't you just love archival footage? At its best, it's a window into the past and a revelation about a period in time. A scene of kids hula-hooping
Film School is a new documentary series that recently aired on the Independent Film Channel (IFC). This 10-part, five-hour series, created and
Women Make Movies (WMM) is losing its enviable, mile-long view of New York City's SoHo. Across the street from WMM's floor-to-ceiling windows
The presence of women commissioning editors and buyers of documentaries in the European television landscape is quite remarkable. Although heads of
If you've been looking for a really great (that is, tax deductible) excuse to spend a week in Waikiki, now you have one. This October the Louis
Documentary filmmakers who use archival materials fall into two basic categories: those who are savvy about rights clearance issues and those who aren
The 18th edition of the Los Angeles-based AFI Fest, which ran last November in conjunction with its new partner, American Film Market, offered viewers