A very small number of film festivals seem to hold an enormous amount of sway over a film’s sales and distribution prospects, as well as the filmmakers’ chances at creating a sustainable living through filmmaking. This perception drives many filmmakers to pin their hopes on just a handful of market-driven festivals that are most important in their region, whether it’s North America (where Sundance looms large), Europe (Cannes, which accepts very few documentaries), Asia (A-list festivals like Busan or Singapore) or elsewhere. In reality, there is a vast ecosystem of film festivals that can all contribute to the healthy life of a documentary film project, and distribution that doesn’t rely on the catalyst of perceived film festival success.
Panels & Workshops
Our year-round series of topical seminars led by experts in the documentary field.
How much does it really cost to make a documentary? What does sustainability look like? What changes do we need to make for the well-being of the field?
In this workshop, IDA’s Director of Artist Programs Abby Sun will walk filmmakers through the process of developing a film festival strategy that takes the particular expectations, needs, and prospects of your individual film into account. Guest speaker Chase Whiteside (América, co-directed with Erick Stoll) will provide a case study drawing on his own experiences navigating the film festival circuit with and without a sales agent.
In this workshop, IDA’s Director of Artist Programs Abby Sun will walk filmmakers through the process of developing a film festival strategy that takes the particular expectations, needs, and prospects of your individual film into account. Guest speaker Chase Whiteside (América, co-directed with Erick Stoll) will provide a case study drawing on his own experiences navigating the film festival circuit with and without a sales agent.
Karin Chien from Distribution Advocates will walk us through a scan of the distribution landscape and talk with independent filmmakers Stephen Maing (Untitled Amazon Union Documentary, Crime + Punishment) and Emma D. Miller (What We Leave Behind, Untitled Mistress Dispeller Project) to shed some light the seemingly shadowy and intimidating world of distribution.
This panel takes a step by step approach to demystifying tax incentives and helping documentary filmmakers better understand how to utilize them.
This conversation brings together human rights experts, advocates, filmmakers, and mental health professionals to discuss what it means to ethically document survivors' stories, the potential for shared standards across fields, and the meaning of informed consent in a media context.
Hear from a member of the working group, a mentor/mentee editing team, and industry producers who are working towards change in the edit room.
Hear about a spectrum of field-led research efforts and the activism it inspires. Researchers and activists will discuss a range of research methods and strategies for putting the results to work for change.
Learn what's new for the Oscars documentary categories and how they impact the entire film awards season.