Music rights clearance is often a cloudy subject...
January / February 2000
Global Audiences January / February 2000
In this issue, we take a look at how digital cameras, desktop editing systems and Internet delivery systems allow us to create and distribute our work directly to audiences worldwide.
![January / February 2000](https://documentary.org/sites/default/files/styles/large/public/images/magazine/janfeb2000_cover.jpg?itok=KxERi251)
Features
When it started to look like a rumpled dishtowel I...
As long as we have been documentary filmmakers, we...
A wise man once said, "If you can find a path with...