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It’s been a year since 93Queen's theatrical release and subsequent POV broadcast. As the successful chaos of the release quiets, I am developing a new feature as an Artist in Residence at Concordia Studio, thus, making the transition from "first-time filmmaker" to simply "filmmaker." With this new project, I'm also moving from telling a universal story of women's empowerment in one very particular place, to finding a particular story embedded in a large national crisis. As I pause to take inventory of 93Queen's triumphs and trials in preparation for this new journey, I realize that the lessons
Editor’s Note: Filmmaker Lisa Valencia-Svensson was invited to deliver a keynote address at Hot Docs this past spring. What follows is an abbreviated version of that keynote. The "Why" of Diversity Diversity, inclusion, representation—familiar words in public discourse. In this keynote, I explore why the question of "Who is telling whose story to whom, and why?" should be at the center of the making of every documentary film. People often support "diversity initiatives" simply because they "know it’s good to do" or "we've been mandated to do so by those in charge." But our efforts to build a
Screen Time is your curated weekly guide to excellent documentaries and nonfiction programs that you can watch at home. Buzz, premiering September 25 on HBO, follows Pulitzer Prize-winning reporter and author Buzz Bissinger as he experiences a sexual awakening while collaborating with Caitlyn Jenner on her tell-all memoir. A verité portrait of his transformative journey, directed by his childhood friend Andrew Shea, Buzz follows the author as he simultaneously examines his own heteronormative constraints, exploring previously uncharted sexual desires in ways that test his marriage, family and
Apply by October 25, 2019 for fellowship is designed to enhance opportunities for writers from underserved and underrepresented communities to participate in the editorial planning process at, and contribute content to Documentary magazine.
Thirty-seven years since IDA was launched, the documentary form has soared in popularity, keeping us attuned, informed and endlessly curious. Not only have documentaries become a staple of every digital streaming platform available, but they have transformed into episodic content, audio stories, animation and immersive, new media experiences that have widened the scope of what a documentary means, or can achieve. As the 35th anniversary of the IDA Documentary Awards approaches, we reached out to some of the prime movers behind the awards, as well as some of the past winners, to give us a sense
Essential Doc Reads is a weekly feature in which the IDA staff recommends recent pieces about the documentary form and its processes. Here we feature think pieces and important news items from around the Internet, and articles from the Documentary magazine archive. We hope you enjoy! IndieWire's Erik Kohn talked to filmmaker Orlando von Einsiedel about his slate of short docs he's making for The Nobel prize and National Geographic. "It's not a financially stable way to work, but it’s lovely to be able to do something relatively quickly," he said. "You can find a story and shoot in a reasonable
Jacqueline Olive’s debut feature, Always in Season—its title a nod to the year-round racial terror that African-Americans, especially in the Deep South, historically have experienced—picked up the Special Jury Prize for Moral Urgency at this past Sundance Film Festival. Though the film explores the domestic terrorist act of lynching and its legacy through multiple angles—from sober, talking-head interviews to Monroe, Georgia’s harrowing, annual lynching reenactment— the beating heart of the film lies within one specific woman: Claudia Lacy. Five years ago, Lacy—a native of Bladenboro, North
Who Will Write Our History, a documentary about a group of heroic spiritual resisters in the Warsaw Ghetto who wrote and buried eye-witness accounts in a secret archive so the truth would survive, even if they did not, was seven years in the making. During that time, I was fixated on premiering at the Berlin International Film Festival. That didn’t happen. At least not in the way I’d expected. What did happen is that I learned (again) that there are more ways than one to have a successful roll-out. The film premiered in July 2018 at the San Francisco Jewish Film Festival, where it received the
Screen Time is your curated weekly guide to excellent documentaries and nonfiction programs that you can watch at home. Filmed over more than 25 years, The Pushouts follows Victor Rios’ inspiring trajectory from high school dropout, three-time felon and Oakland gang member to award-winning professor, author and expert on the school-to-prison pipeline. Filmmakers Katie Galloway and Dawn Valadez weave in the stories from YO!Watts, a youth center serving 16-24 year-olds who are out of school and out of work. The Psuhouts premieres September 20 on PBS/ Voces. Inside Bill’s Brain: Decoding Bill