Festivals

Now nearly two decades old, the Full Frame Documentary Film Festival is perhaps the closest thing America has to a European doc fest in terms of

By shining a light on what is becoming an increasingly dynamic relationship between the documentary filmmaking and journalism worlds, two recent

The 34th annual CAAMFest, produced and presented by the San Francisco-based Center for Asian American Media, blew into the Bay Area, along with some long-awaited rainstorms that tossed our umbrellas up and down the streets of Chinatown, the Mission and Oakland. And in the warm and dry screening venues around town, CAAMFest proved what it does best: showcasing documentaries about Asians and Asian Americans.

I knew I had found a place in the documentary world that I could call home when, on the Friday night of the True/False Film Fest (March 3 – 6) in

At SXSW this year, you could find great pleasure in films at two extremes of the commercially viable spectrum: the idiosyncratic passion project at

"Quality over quantity." If you were a documentary filmmaker attending the 18th annual Realscreen Summit in Washington, DC earlier this month, that

History is often fragmented, patched with fictions and intricate inconsistencies. This year's International Forum of New Cinema—in short, the Forum

For documentary filmmakers, strategists, funders, broadcasters, buyers—and of course, fans— November means the International Documentary Festival

IDFA’s DocLab conference and exhibit, coordinated by Caspar Sonnen, intersects with IDFA’s cornucopia of international documentary only occasionally

"We want to challenge our audience… and to surprise it," says Leena Pasanen, who took the helm as director of the International Leipzig Festival for