Even during the annual Hot Docs Canadian International Documentary Festival's celebration of everything nonfiction, not every Canuck obsesses over
Hot Docs

It's hard to discuss the Hot Docs Canadian International Documentary Festival without weighing in with superlatives. This is an event that just grows

The 19th edition of Toronto's Hot Docs Canadian International Documentary Festival wrapped on Sunday, May 6, to unprecedented audience attendees
Last year, national and international press widely reported on what The Globe and Mail described as “the most tumultuous year in the festival’s history,” complete with sweeping personnel changes, social and financial pressures, and the temporary closure of their flagship Ted Rogers Cinema. Though Hot Docs managed to pull through for its 32nd year with a new executive director (Diana Sanchez, formerly of TIFF) and a replenished staff (some of the programmers, including department head Heather Haynes, returned after their prior exodus), what frightened this hamstrung fixture of Toronto’s flailing film scene was dismally clear. Social issues don’t entirely permeate the programming, nor do their chosen films observe such issues in totality, but Hot Docs has always strived to stay in tune with urgent matters of the present, especially through films that align their audience’s point of view with what will one day be the right side of history.
A cramped room inside which most of Marriage Cops takes place becomes an effective metaphor for not only the stifling sensation of being trapped in an
Congratulations to the five IDA grantees who have premieres at Hot Docs 2025.
In September 2020, amidst a global pandemic, the government of India passed three farm laws which met with resistance. Nishtha Jain’s new documentary
On Christmas Eve of 1989, a pregnant mother of nine named Imelda Bbaale was inexplicably shot and killed in her home. It was a shocking tragedy that
Returning to Toronto for my first post-pandemic visit to Hot Docs for this year’s 30th anniversary celebration (April 27-May 7) was well worth both
By Bedatri D.Choudhury AND Tom White Tom White: The Hot Docs Canadian Documentary Film Festival reclaimed its in-person status after a three-year