"Help, I need Errors & Omissions for my film. Why do I need it? How do I get it done?" To answer these questions, I, the Good Witch...well, the
Legal
"Ahoy, hornswaggling pirates! Get me film booty out of yer bung hole or you'll sleep in Davy Jones' Locker." That's about the best threat most
A review of Patricia Aufderheide and Peter Jasci's 'Reclaiming Fair Use: How to Put Balance Back in Copyright'
Over the past month, we at IDA have been introducing our community to the filmmakers whose work is represented in the DocuWeeks TM Theatrical
'The Film Is Not Yet Rated' looks at the NC-17 stigma.
The Full Frame Documentary Film Festival was launched in 1997 as the Double Take Documentary Film Festival, sponsored by the Documentary Studies
As primetime television continues to phase out scripted fare in favor of more inexpensively produced "reality" programming, and as documentaries
A review of 'The American Bar Association Legal Guide to Independent Filmmaking'
Approximately $270 million is collected annually in the United States for the single purpose of compensating television program copyright holders for
Speaking at the Commonwealth Club of California earlier this year, Albert Maysles made a comment that many in the audience may not have heard. He said