Column

In 1980, I had pimples and braces. The teachers at Kellogg Middle School in Seattle occasionally said something interesting, but mostly the classroom

Dear Readers, Artistic achievement is predicated in large part on collaboration and chemistry--especially in the media and performing arts, where

Eddie Schmidt's valedictory address.

When I first saw documentaries, I made two exciting discoveries: Men and women were making movies about the people I was curious about, but with whom

A review of Alan Rosenthal's 'Succeeding as a Documentary Filmmaker: A Guide to the Professional World'

A review of Patricia Aufderheide and Peter Jasci's 'Reclaiming Fair Use: How to Put Balance Back in Copyright'

You've worked hard to finish your documentary film--endless hours raising funds to create your masterpiece; then months, if not years, in production

Museums have become a key part of the exhibition strategy for nature and science documentaries, with institutions using 3-D, IMAX and HD theaters to

From Jerome Hill's Film Portrait It's the 1960s and I'm sitting in Professor Haig Manoogian's advanced film production class at NYU. We're awaiting

'These Amazing Shadows' premieres December 29 on PBS' 'Independent Lens.'