Lucrecia Martel’s feature documentary debut, Our Land, is a culmination of the filmmaker’s long-running interests in the twinned concepts of land
Feature
In its 23rd edition, the Danish festival privileged fresh new voices and projects that put cocreation at their center
Fictional depictions of nonfiction filmmakers present us as predatory narcissists who unwittingly become monstrous stand-ins for documentary practice
The WTO/99 producer/editor explains the purpose, lingo, and cost strategy behind theatrical booking for independently released films
From Sinophone refuge to listening sessions, the 15th TIDF stakes its rigorous programming on the value of removal
Fuera de Campo, a political initiative committed to showcasing Argentine cinema, found a fitting 2025 opener in Lucas Gallo’s televisual archive doc
Three core members of Tikkun Olam Productions on unlearning the conventional model and what the nonprofit collective making movement-aligned work
Mandy Chang, recently appointed chief executive officer of the Documentary Film Council, on leveraging her decades-long experience to move beyond
China’s first documentary Oscar submission, The Sinking of the Lisbon Maru, demonstrates how “independent” can become an economic designation divorced
This primer on core insurance coverage for documentary productions explains what DICE, liability coverage, and workers’ compensation really do