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Grayson Earle

Headshot of a an aging hipster in a funhouse mirror

Grayson Earle is a contemporary artist and activist from the United States. His work deals with the role that digital technologies and networks can play in protest and political agency. He is known for his guerrilla video projections as a member of The Illuminator Art Collective and Bail Bloc, a computer program that posts bail for low-income people.

Articles

Shooting from the Hip: An Interview with Cinematographer Maryse Alberti
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1989 IDA Awards
Online Feature
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Trumpet-Tongued Against the Deep Damnation: Jean-Pierre Gorin and his films
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An Interview With Jacques-Yves Cousteau
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Goodbye to Winter: Women in the GDR
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Michael's Big Adventure: David Ehrenstein and Bill Reed on 'Roger and Me'
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South Africa's Media War: From the Student's Revolt to Mapantsula
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Mannheim International Film Festival
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Taking 16mm into the '90s
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Marking Time: Chris Marker and The Owl's Legacy
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The Unblinking Eye: David Lynch and Mark Frost Chronicle America
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Women on the Verge: Pioneer Documentary Filmmakers that History Ignored
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State of the Union: Karen Rosenberg on Current Soviet Documentaries
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Rules of the Game: Entering the Academy Awards
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Above the Neck Skills
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Witness to Revolution: Eastern Europe Comes to the Berlinale
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New Cameras, Great and Small
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Distribution Contracts
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British Documentary: An Endangered Species?
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Satellite Cultures: Images of Colonialism in Australia
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The Architecture of Filmmaking: An Interview with Amos Gitai
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Talk of the Mountain: Documentary in Appalachia
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Moonstruck: Al Reinert's Ten Year Space Odyssey
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Twilight City: The Black Audio Film Collective's New Release
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3/4", Say Hi to 8mm
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Hesitant Hommage: The National Film Board of Canada at 50
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The Guild Complex: And Interview with Gary Crowdus
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Seeing and Believing: Poetic Documentaries About Technology and Ideology
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Book Review: New Challenges for Documentary
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Bleak Houses or How Murder Becomes a Mistery
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Critiquing The Documentary Cinema
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The Untenable Lightness of CHET
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Driving Me Crazy: An Interview with Nicholas Broomfield
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From the Editor, Fall 1989
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Mark Soosaar: The Follower of Robert Flaherty
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From the Editor, Spring/Summer 1989
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Hotel Terminus: Ophuls' Cinema of Discovery
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Female High Security Unit
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Eastman Kodak's New Family of 16mm Films
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Black Journal: A Personal Look Backward
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The 1988 IDA Awards
Online Feature
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