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Meghan Monsour

Close up headshot of Meghan Monsour with long dark hair and fair skin.

Meghan Monsour is a film programmer and programming consultant based in Mexico. Her career has been dedicated to reimagining how films connect with their audiences and developing alternative distribution networks for documentary film. Previously she was the director of programming at the Ambulante Documentary Film Festival.

Articles

Mannheim International Film Festival
Feature
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Taking 16mm into the '90s
Feature
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1989 IDA Awards
Online Feature
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Trumpet-Tongued Against the Deep Damnation: Jean-Pierre Gorin and his films
Feature
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Goodbye to Winter: Women in the GDR
Feature
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Michael's Big Adventure: David Ehrenstein and Bill Reed on 'Roger and Me'
Feature
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An Interview With Jacques-Yves Cousteau
Feature
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South Africa's Media War: From the Student's Revolt to Mapantsula
Feature
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Marking Time: Chris Marker and The Owl's Legacy
Feature
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The Unblinking Eye: David Lynch and Mark Frost Chronicle America
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Women on the Verge: Pioneer Documentary Filmmakers that History Ignored
Feature
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State of the Union: Karen Rosenberg on Current Soviet Documentaries
Feature
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Rules of the Game: Entering the Academy Awards
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Above the Neck Skills
Column
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Witness to Revolution: Eastern Europe Comes to the Berlinale
Feature
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New Cameras, Great and Small
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Distribution Contracts
Feature
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British Documentary: An Endangered Species?
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Satellite Cultures: Images of Colonialism in Australia
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The Architecture of Filmmaking: An Interview with Amos Gitai
Feature
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Talk of the Mountain: Documentary in Appalachia
Feature
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Hesitant Hommage: The National Film Board of Canada at 50
Feature
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The Guild Complex: And Interview with Gary Crowdus
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Book Review: New Challenges for Documentary
Column
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Seeing and Believing: Poetic Documentaries About Technology and Ideology
Feature
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Bleak Houses or How Murder Becomes a Mistery
Feature
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Moonstruck: Al Reinert's Ten Year Space Odyssey
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Twilight City: The Black Audio Film Collective's New Release
Feature
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3/4", Say Hi to 8mm
Column
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The 1988 IDA Awards
Online Feature
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Critiquing The Documentary Cinema
Feature
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The Untenable Lightness of CHET
Feature
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Driving Me Crazy: An Interview with Nicholas Broomfield
Feature
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From the Editor, Fall 1989
Column
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Mark Soosaar: The Follower of Robert Flaherty
Feature
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From the Editor, Spring/Summer 1989
Column
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Hotel Terminus: Ophuls' Cinema of Discovery
Feature
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Female High Security Unit
Feature
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Eastman Kodak's New Family of 16mm Films
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Black Journal: A Personal Look Backward
Feature
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