A dizzying, fast-paced, 150-minute montage about American jazz, Western imperialism, European colonization, and the assassination of Congolese
Sundance
A revelatory portrait of psychics and their clients, Lana Wilson’s Look Into My Eyes is also an unexpectedly poignant love letter to the myriad artists and performers that fake it till they make it in NYC—as well as to the city itself. A few days prior to the film’s January 22 premiere at Sundance, Documentary was fortunate to catch up with the director.
As a clueless American not previously aware that “Gross National Happiness” is a measurable index in the Himalayan country of Bhutan, I did a double
Moroccan filmmaker Asmae El Moudir (2020’s The Postcard ) grew up in a world in which images were forbidden. She had no childhood photos (save for one
Sundance’s hold on worldwide documentary market trends remains in full force, even if its status is now based more on historical precedence than
The global IDA membership is comprised of professionals working in varying roles in the non-fiction field. We are documentary workers, professionals
Documentary director and producer Nicole Newnham still remembers finding, as a young teenager, a copy in her mother’s bedside table of taboo-breaking
Nowhere is the commercialization of the nonfiction field seemingly more apparent than at the Sundance Film Festival. With entertaining documentaries
A Letter From Hajnal Molnar-Szakacs, Director of Artist Accelerator Program at Sundance Institute Nonfiction storytellers and their work have been
What is the responsibility of programmers when it comes to discerning whether a film deserves the platform and profile of a major festival? In a