“Eagle, Houston. You are go for landing, over.” With this command, issued by Mission Control Center on July 20, 1969, the Apollo 11 astronauts were
Feature
Editor’s Note: Chi-hui Yang is program officer at Ford Foundation’s JustFilms initiative. What follows is an edited version of his keynote address at
Editor’s Note: Molly Thompson is Senior Vice President of Feature Films at A&E Networks. In 2005 she launched the network’s feature documentary arm, A
Transcription of Michele Stephenson's Keynote address from Getting Real '18.
Raising money for a film often feels like a Sysyphean task, constantly pushing a boulder up a hill. But as documentaries have become more popular
Over the last several years, as sustainability has become a hot topic in the documentary community, we have seen the issue unfold in a number of ways
Editor’s Note: What follows is a statement from the IDA regarding the Documentary Producers Alliance’s “ Best Practices in Documentary Crediting.”
Editor’s Note: What follows is a statement from the IDA regarding the Documentary Producers Alliance’s “ Best Practices in Documentary Crediting.”
Editor's Note: This article is now out-of-date, and was updated in December 2024. | This revised look at documentary budgeting update the 2006 Documentary article “Don’t Fudge on Your Budget: Toeing the Line Items.” At the center of the documentary "business" is the budget, which offers a map of the filmmaking process, expressing both the film you’re planning to make and how you plan to make it. Ideally, it is also a living document that can help get a film to completion.
Note: Augmented reality (AR) generally refers to digital content overlaid on the physical world. Mixed reality (MR) represents a more comprehensive